Home  >  World Book Club  >  Amit Chaudhuri
World Book Club
Amit Chaudhuri
World Book Club
Jul 6, 2013

World Book Club’s Harriett Gilbert talks to the acclaimed Indian writer Amit Chaudhuri, in front of a multi-national audience and listeners around the world at the Nehru Centre in London. Chaudhuri will discuss his novel The Immortals, which is about the place of Indian classical music in the modern world.

Set in the heart of the world of the Bombay middle class, it tells the story of three very different classical-musicians whose lives thread in and out of each other in 1970s and 80s Bombay.

The city itself is on a roll -- expanding, growing ever richer and more glittery -- and the novel's main characters are variously jostled by the changes taking place around them. But they're also struggling with such matters as the place of musical tradition in the modern world, and the need to earn a living while pursuing an artistic vocation. Amit Chaudhuri himself is a musician as well as author and he talks about how contemporary Indian classical music is currently in a moribund state, as it takes a great deal of commitment to be successful.

And in a novel filled with strong and lively characters, Amit explains how difficult he finds it to write characters, and how in his work as a teacher of creative writing, he finds characterisation impossible to teach.

Hear him also read three extracts from The Immortals and take calls from listeners in Delhi and Pennsylvania who will bring their own international perspective to the story.

More Episodes

Apr 5, 2025
Michelle de Kretser: Scary Monsters

Harriett Gilbert talks with Michelle de Kretser about her eighth novel, Scary Monsters, which won the 2023 Rathbones Folio Fiction Prize.

This diptych novel consists of the tale of two immigrants, one in the past, and one in a dystopian future that seems all too possible. Which story to start with? That’s the reader’s decision.

In the past, Lili. Her family migrated to Australia from Asia when she was a child. Now, in the 1980s, she teaches in Montpellier, in the south of France. Her life revolves around her desires to carve out a space for herself, and become a great woman like Simone de Beauvoir. She tries to make friends, observes the treatment of other immigrants to France who don’t have the shield of an Australian passport, and continually has to dodge her creepy downstairs neighbour, as stories of serial killers dominate news headlines.

In the future, Lyle works for a government department in near-future Australia where Islam has been banned, a pandemic has only recently passed, and the elderly are encouraged to take advantage of The Amendment - a law that allows, if not encourages, assisted suicide. An Asian migrant, Lyle is terrified of repatriation and spends all his energy on embracing "Australian values", which in this future involve rampant consumerism, an obsession with the real estate market, and never mentioning the environmental catastrophe even as wildfires choke the air with a permanent smoke cloud. He's also preoccupied by his callously ambitious wife, his rebellious children and his elderly mother who refuses to capitulate to his desperate desire to invisibly blend in with society.

We love it, not just because of the playful dual structure, but because Michelle’s writing tackles the monsters - racism, misogyny, ageism - with keen observations and biting humour, shining a light not just on how society treats newcomers, but how we relate to our idea of our shared history, and what kind of future will be built from the world we live in now.


49min 20sec



Amit Chaudhuri

--:--
--:--