In this episode of World Book Club, Harriet talks with one of the world’s best-loved sci-fi and fantasy authors, the four time Hugo award winner N.K Jemisin. Which of her plethora of books did we choose? Her 10th novel, and love letter to New York, ‘The City We Became’.

The story takes place in a world in which major cities become sentient, living beings. After New York is attacked by an otherworldly enemy, five people, champions representing each of the city’s five boroughs, must band together to save the city, but also humanity itself.

Rich with sharp social commentary, vibrant characters, and breathtaking world-building, it’s a gripping, imaginative tale of identity, belonging, and the power of unity in the face of otherworldly, eldritch chaos.

N.K Jemisin will be answering questions from our World Book Club - including how she created characters that embody each of New York’s five boroughs, what makes a city ‘alive’, and how she confronted, and subverted, Lovecraftian tropes to create the enemy of all humanity, the Woman in White.

Presented by Harriett Gilbert. Produced by Elizabeth Ann Duffy.

Photo Credit - Laura Hanifin

Harriett Gilbert talks with Nobel laureate Abdulrazak Gurnah about his hauntingly beautiful novel Paradise.

It tells the story of Yusuf, a 12 year-old boy living in East Africa at the beginning of the 20th Century. Sold off to settle his father’s debts, Yusuf embarks on a journey across the African continent. Through his naive and innocent eyes, the journey starts out as an adventure, but every wonderous thing Yusuf sees, every glimpse of paradise, is polluted by violence, the growing influence of colonialism, and the looming spectre of World War One.

Paradise is a stunning novel - a multi-faceted, vivid exploration of the shifting culture of Africa at the turn of the century. It’s layered with mythology, Biblical and Koranic symbolism, and an unflinching insight into the effects of colonialism.

Harriett Gilbert talks with Michelle de Kretser about her eighth novel, Scary Monsters, which won the 2023 Rathbones Folio Fiction Prize.

This diptych novel consists of the tale of two immigrants, one in the past, and one in a dystopian future that seems all too possible. Which story to start with? That’s the reader’s decision.

In the past, Lili. Her family migrated to Australia from Asia when she was a child. Now, in the 1980s, she teaches in Montpellier, in the south of France. Her life revolves around her desires to carve out a space for herself, and become a great woman like Simone de Beauvoir. She tries to make friends, observes the treatment of other immigrants to France who don’t have the shield of an Australian passport, and continually has to dodge her creepy downstairs neighbour, as stories of serial killers dominate news headlines.

In the future, Lyle works for a government department in near-future Australia where Islam has been banned, a pandemic has only recently passed, and the elderly are encouraged to take advantage of The Amendment - a law that allows, if not encourages, assisted suicide. An Asian migrant, Lyle is terrified of repatriation and spends all his energy on embracing "Australian values", which in this future involve rampant consumerism, an obsession with the real estate market, and never mentioning the environmental catastrophe even as wildfires choke the air with a permanent smoke cloud. He's also preoccupied by his callously ambitious wife, his rebellious children and his elderly mother who refuses to capitulate to his desperate desire to invisibly blend in with society.

We love it, not just because of the playful dual structure, but because Michelle’s writing tackles the monsters - racism, misogyny, ageism - with keen observations and biting humour, shining a light not just on how society treats newcomers, but how we relate to our idea of our shared history, and what kind of future will be built from the world we live in now.