A legal order known as a superinjunction prevented UK media from reporting a government data breach that exposed nearly 19,000 Afghans who had applied to relocate after the Taliban takeover. Larisa Brown, Defence Editor at The Times, recounts the legal constraints she faced and the broader implications for press freedom. A new ITV format blends natural history with reality TV by placing celebrities in shark-infested waters. Shark! Celebrity Infested Waters was produced by Plimsoll Productions. Creative Director Andrea Jackson outlines the development process. This year’s Tour de France marks the final edition available on free-to-air television in the UK before coverage moves behind a paywall. Rouleur journalist Rachel Jary reports from Toulouse on life inside the media zone, while Chris Boardman - Olympic gold medallist, commentator and now England’s Active Travel Commissioner - reflects on how cycling is covered and the visibility challenges it faces.

Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant Producers: Martha Owen and Emily Channon

Oasis returned to the stage in Cardiff for the first time in over a decade, drawing both fan excitement and media access concerns. While audience members were able to livestream from inside the venue, accredited press photographers faced time-limited licensing agreements on how long their images could be used. Andy Moger from the News Media Coalition and Metro’s Danni Scott discuss the band’s approach. During President Macron’s state visit to the UK, attention turned to the media's role in covering migrant crossings of the English Channel. A report by the BBC captured footage of French police deflating an inflatable boat on a beach in northern France. Reporter Andrew Harding gives the background to his story and Catherine Norris Trent from France 24 explains what coverage the issue gets in the French press. There is growing interest in how fact-checking is approached within the book publishing sector after claims about a best-selling book were made by The Observer newspaper last week. Heloise Wood of The Bookseller explains why in publishing, legal responsibility usually rests with the authors themselves.

Presenters: Ros Atkins and Katie Razzall Producer: Lisa Jenkinson Assistant Producers: Lucy Wai and Martha Owen

John Simpson, in discussion with the BBC’s unparalleled range of experts across the world, analyses US President Donald Trump’s approach to foreign policy in his second term, examines reaction in Israel to the country’s conflict with Iran, and looks at the controversial new project to create artificial human DNA from scratch.

The BBC’s decision not to broadcast a Gaza war documentary, later picked up by Channel 4, has prompted scrutiny over its editorial standards. The film, made by Basement Films, features testimony from medical staff in Gaza. Former Channel 4 executive Dorothy Byrne critiques the BBC’s stance.

A live-streamed Glastonbury performance by punk band Bob Vylan included chants that Keir Starmer called "appalling hate speech", leading to a BBC apology for not halting the stream sooner. Chris Banatvala, a former Ofcom head of standards, raises questions about the effectiveness of the BBC’s editorial oversight in live broadcasting situations.

The complexity of reporting on the Israel-Gaza conflict while managing personal identity is addressed by BBC journalist Tim Franks. Reflecting on his experience as a Jewish former Middle East correspondent, Franks considers public assumptions about bias and the pressure on journalists to separate identity from reporting. He also discusses themes from his new book, The Lines We Draw.

Formula 1 celebrates 75 years, but footage from its first three decades remains largely unseen. Broadcaster Steve Rider is spearheading efforts to recover and digitise this early archive, while journalist Rebecca Clancy reports on the sport’s global strategy and expanding social media presence.

Presenters: Katie Razzall and Ros Atkins Producer: Lucy Wai Assistant producer: Emily Channon