Three women come together to discuss a sensitive subject that is not often talked about: Injuries experienced during childbirth. While many of these injuries heal quickly, millions of women around the world sustain trauma that can impact their long-term physical, psychological, and social well-being. “You really have to struggle not to feel ashamed that your body has failed you,” Gill tells us. “You’re led to believe as a woman that this is what we’re here to do, to get pregnant and to give birth to babies easily and without any problems afterwards.” We also hear about the stigma surrounding birth injuries in some parts of the world, including the Democratic Republic of Congo, and bring together health professionals helping women rebuild their lives and educate their communities. Warning: our guests discuss the physical impact of childbirth, which will include some detailed biological descriptions.

David Eubank calls himself a missionary soldier. A former US Special Forces soldier, he is now an ordained Christian Reverend and founder of the Free Burma Rangers, a humanitarian group working in some of the world’s most dangerous conflict zones. He prays before missions, runs towards gunfire, rescues the wounded, and says love is what keeps him there. But David's story is also morally complicated. He has carried dying children from battlefields. He has watched friends and colleagues die. And he has killed. Rajeev Gupta speaks to David about what it means to follow Jesus in a firefight. David reflects on his upbringing as a missionary child in Thailand, his years in the US military, and the call that took him into Burma’s long-running civil war. He describes the moments when his faith and a desire for revenge came into conflict. But how does David know he is on the right side? How does he justify taking his wife and children into war zones? And how does he keep believing in God after seeing so much suffering? This episode of The Documentary, comes to you from Heart and Soul, exploring personal approaches to spirituality from around the world.

On the edge of a failing South African city, a disused power station hums once again - this time with beats, voices, and possibility. Makhanda is a divided place and, for the majority, opportunities are scarce and challenges are constant: poverty is grinding, houses and roads crumble, unemployment is overwhelming, violence is never far away and life can be cheap. But Makanda is also full of creativity and passion, and some of its young people are responding to the hardships they face with music. They are filling the gap where their futures should be with art rather than with drugs, alcohol or crime. The Black Power Station provides a stage for these musicians to do what they love as well as to get their message across. Their lyrics speak of poverty, inequality and violence but also of love, determination and hope. With one of the artists as our guide, The Black Power Station: Resistance Generation takes us into the world of backyard studios and mobile phone mixing desks. From total first-timers to those starting to make a name for themselves, we get inside the heads of these musicians as they write, record and perform.

Beyonce started out as a little girl competing in local talent shows, but over the course of a 30-year career in music she transformed herself into a mogul worth $1 billion. Journalist Zing Tsjeng and BBC business editor Simon Jack trace Beyonce’s early years in girl group Girls Tyme, the turbulent rise of Destiny’s Child, and her breakout as a solo artist, before examining the strategic decisions that transformed her from performer to powerful businesswoman and entrepreneur. Beyonce’s rise to billionaire features conflicts with family and friends, brand battles, and questions around feminism, capitalism, and control. Is she a force for empowerment, a ruthless operator, or simply one of the most effective wealth-builders in modern entertainment?