Stephanie was brought up in France in a French family, but her birth parents are Indian – she’s an intercountry adoptee. In the 1980s and 1990s thousands of babies, like Stephanie, were adopted from India into white, western families. Now, inter-country adoption is more regulated, and there’s a recognition that this is a practice open to abuse – several countries have banned it altogether.

In France, Stephanie grew up very happily with her adoptive mum and dad. But after they both died, she began to think more about her origins. And she experienced a desire to re-connect with her motherland. In this edition of Assignment, Stephanie journeys into rural India in the state of Maharashtra with journalist, Tanya Datta. Together they attempt to find Stephanie’s birth mother. Along the way, Stephanie discovers she isn’t an ‘absolutely abandoned and destitute child’ found on the roadside as she’s been led to believe her whole life, but was born to an unmarried teenager. Nearly 40 years later, will she find that 50-something woman?

This episode of The Documentary comes to you from Assignment, investigations and journeys into the heart of global events.

On a busy street in Kabul, a young artist steps into traffic wearing a steel sculpture she has shaped around her breasts and buttocks. She calls the piece Armour. Within minutes, a crowd gathers. Days later, death threats force her to flee the country. Today, Afghan artist Kubra Khademi lives in exile in France, creating bold multidisciplinary works that confront patriarchy while reclaiming the female body as a site of power, sexuality and resistance. Drawing on personal history and the cultures she grew up in across Afghanistan, Iran and Pakistan, her art blends performance, painting and symbolism to challenge deeply rooted taboos around women’s bodies.

For her latest series, Origin of the Universe, Khademi paints surreal scenes of women giving birth to animals — images inspired by a story her grandmother once told her about strength and survival. Following her creative process, Sahar Zand joins Khademi in her studio as she paints one of the works, revealing how memory, exile and defiance are transformed into art.

Elana Meyers Taylor became the oldest-ever winner of an individual Winter Olympic gold medal when she won the women’s monobob event in Milan-Cortina, aged 41. It was the American’s sixth Olympic medal, and first gold, having first won a bronze medal in 2010 at the Vancouver Games. She’s the most-decorated black athlete in Winter Olympic history, as well as the mother of two sons – both of whom are deaf. Her eldest son, Nico, also has Down syndrome.

In an in-depth interview with More than the Score’s Lee James, Elana discusses her 20-year journey to Olympic gold, and why it’s taken a whole team of people to get there – including receiving invaluable support from the deaf and Down syndrome community. She also discusses her activism for black athletes in winter sports, and reflects on the effect that climate change is already having on her sport. How does she see the future of bobsleigh racing, and what part will she play in it?

Every Monday to Friday, More than the Score tells stories beyond the scoresheet from all over the world of sport. From the Winter Olympics to the Super Bowl, the Australian Open to the Diamond League, and netball to Formula 1. For more episodes, follow and subscribe to More than the Score wherever you get your podcasts.