In July 2024, Bolivia discovered the Mayaya Centro-X1 gas field, its largest find in nearly 20 years. With an estimated 1.7 trillion cubic feet of reserves, the announcement sparked excitement across the country, promising to help reverse a steep decline in domestic production and inject billions into the national economy. South American based journalist Constance Malleret explores what this discovery means for Bolivia - not just beneath the ground, but above it. We hear from geologists working at the site, government officials spearheading the Upstream Reactivation Plan, and energy analysts questioning whether the country is leaning too heavily on fossil fuel optimism.

Ranches, rodeos and public land. This is the story of a surprising battle raging in the American West, and the unlikely coalition it’s forged. Nearly half of all land in the West of the United States is owned by the federal government. Some people are trying to change that; they argue that part of it should be used for housing, amid a nationwide shortage. But this debate about land and development has touched a nerve in the Western psyche - tapping into bigger fears that the old way of life is under threat. It’s about identity, trust, and the growing popularity of cowboy culture, driven in part by the TV series Yellowstone. In an increasingly polarised United States, this debate about public land is uniting cowboys, environmental activists, conservatives, and progressives. Ellie House reports from Montana, a state where the prospect of a public land sell-off is deeply unpopular, and where people feel like their cultures and traditions are at stake.

This episode of The Documentary comes to you from Assignment, investigations and journeys into the heart of global events.

Kurdish designer Lara Dizeyee is preparing a couture collection for Milan Fashion Week. Dizeyee fled Iraqi Kurdistan as a child, grew up in the US, and later returned to Erbil. Her designs draw on traditional Kurdish dress - layered garments, capes, and ornate headpieces - reimagined as bold evening wear. Her work is celebrated in Kurdistan, across the diaspora, and in the Arabian Gulf. Yet despite her growing profile, she lacked the funds to stage a show on the scale Milan demands. Arts journalist Melissa Gronlund follows her as she secures backing and races against time to source fabrics, sketch and sew designs, and collaborate with Kurdish artisans on jewellery and bespoke accessories. More than 30 outfits are completed and packed into suitcases carried by her extended family. On the big day, Dizeyee fits each model and navigates last-minute crises - models too short, earrings that won’t fit, designs that misfire. But as the models walk out in her reimagined Kurdish looks, the emotion in the room is unmistakable. And in that final moment, as the Kurdish flag is symbolically recreated on the runway, Dizeyee presents her culture to the world.