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The Documentary Podcast
In the Studio: Anna Clyne and Jody Elff
The Documentary Podcast
Apr 7, 2025

Contemporary classical music composer Anna Clyne is one of the most performed and in demand composers in the world.

For her next commission, she is working on a new concerto for the St Louis Symphony Orchestra in Missouri, US. The piece is called PALETTE, and will feature seven movements related to seven colours: plum, amber, lava, ebony, teal, tangerine and emerald green.

Anna will be working with her Grammy-winning audio engineer, sound artist and designer husband Jody Elff on the composition, using their Augmented Orchestra to electronically manipulate the sound of the orchestra in real time during live performances. It's part of their challenge to expand the sound of the acoustic orchestral world while pushing the boundaries of contemporary classical music. Anna will also be painting seven pictures as part of the creative process, inspired by her music, to add to the audience's experience of the work.

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Jun 10, 2026
Introducing: The Interface - What goes on in TikTok's Farlands?

The Interface is your weekly guide to the tech rewiring your week and your world. Hosted by journalists Thomas Germain, Nicky Woolf, and Karen Hao, each episode unpacks, week by week, how technology is shaping all our futures. No guests. No jargon. Just three sharp voices debating the stories that matter - whether they shook a government, broke the internet, or quietly tipped the balance of power.

In this episode, Tom and Nicky head deep into the TikTok Farlands - the semi mythical place you supposedly reach if you scroll too far, too late, until your feed stops looking normal and starts serving up surreal, eerie and deeply unhinged videos. The name comes from Minecraft’s Far Lands, the glitched edge of the map where the world used to break apart, and TikTok users have borrowed it to describe the “end of the algorithm”: a strange zone of distorted edits, ominous warnings, weirdcore imagery and recurring figures like the now iconic fat bee playing the violin. TikTok’s Farlands have become a shorthand for what happens when doomscrolling tips into digital folklore.

But the Farlands aren’t just a joke. Tom and Nicky ask what this trend says about internet culture now. In a platform ecosystem dominated by polish, branding and optimisation, the Farlands feel like the return of an older internet: raw, surreal, handmade and proudly bizarre. At the same time, the meme also works as a critique of doomscrolling itself — turning algorithmic exhaustion into shared mythology, and making people newly conscious of how deep into the feed they’ve wandered.

So in this episode, we ask: is the TikTok Farlands a genuine return of weird, creative internet culture — or just another algorithmic genre?

Also in this episode: Karen looks at how AI detection tools may be changing the way we all write. As detectors spread through schools, publishing and professional life, students, teachers and writers are increasingly shaping their prose around what software might flag - dropping stylistic quirks, sanding off rhythm, and checking their own work in advance for fear of a false accusation. Researchers say the central problem is not just whether detectors catch AI, but how they balance false positives and false negatives in high stakes settings. And with a growing parallel market of “humanizer” tools promising to make AI text sound more human - and pass detection - the result may be an arms race that leaves everyone writing in a flatter, safer and more paranoid style.

To hear more, search The Interface wherever you get your BBC podcasts.


42min 11sec


In the Studio: Anna Clyne and Jody Elff

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